C100 II is a bit underwhelming 1080 camera. has no 10 bit 4k (even external) but it has 12/10 bit Raw internal to fast. The EOS C300 Mark II delivers high image quality and a wide dynamic range in a compact and ergonomically designed body that has improved operability, ruggedness and options for expansion. It is removable. As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. These include a newly developed 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor that supports up to 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels and a high-speed readout for reduced rolling-shutter distortion. Notable new features compared to the previous model are the implementation of a sensor capable of a 15-stops of dynamic range, 4K XFAVC and 12-bit internal recording, color matrices, and the ability to record raw motion video via external recorder. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. The traditional cinema camera wins in dynamic range, delivers more detail in its standard operation (R5 has overheating in its more advanced modes), and better low-light performance for general use. The C300 Mark III … C300 mark II has no raw (even external) and no 4k60. Canon EOS C300 Mark II Canon EOS C700 The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The other gain suppresses noise in the shadows. 12G-SDI Support Support for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. Now, it is speculated that the latest Canon Cinema EOS C200 Mark II will feature the same sensor as the Cinema EOS C300 Mark III. Canon C300 Mark III Key Features. Canon C300 Mark II review Jan 20, 2016 Sharing link to a C300 Mark II video review https: ... Canon EOS 5D Mark III Canon EOS-1D X Mark II Canon EOS 80D Canon EF 400mm f/2.8L IS USM Canon EF 24-70mm f/2.8L USM +3 more. EVF-V50 is a small, 0.46″ OLED viewfinder that attaches to the back of the camera. And of course we had to take an immediate “lab test” look at Canon’s latest Super 35 … The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. [4] [5] In addition, the C300 was used along with other Canon EOS dSLRs (such as an infrared-modified Canon EOS 5D Mark II ) [6] on the short film When You Find Me , directed by Bryce Dallas Howard and produced by her father Ron Howard . OLED Electronic Viewfinder EVF-V70 was introduced with C700 series and will works with C500 Mark II, C300 Mark II, C200, and now with the C300 Mark III. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range conten… The FX9 delivers that, the C300 Mark III … The Canon EOS C300 Mark II is Canon's update to its first generation cinema camera, the Canon C300, and is part of the Canon Cinema EOS line. The EOS C300 Mark II Digital Cinema Camera integrates a re-designed imaging system of advanced components. This flexible design can be configured according to the shooting and equipment requirements, right down to the lens mount – which can be changed between EF, PL or EF Cinema Lock without the need of converting by a service center. The first gain focuses on saturation in highlighted areas. The new information says the C300 Mark III will remain a 4K Super35 camera, but with a more modular design like we see with the C500 Mark II. Canon has been on a kick lately releasing new cinema cameras. Canon claims this results in an image with up to 16+ stops of dynamic range. The Canon C300 Mark III is a powerful little cinema camera that’s been getting a lot of attention since its release. The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. It has 10 bit though. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. J.P. Morgan and Kenneth Merrill from The Slanted Lens are trying to help us with that decision by reviewing Canon C300 Mark II and Sony FS7. Canon Cinema EOS C300 Mark III camera features a 4K Super 35mm CMOS Dual Gain Output (DGO) sensor which the company says can shoot 4K/60p with high dynamic range and low noise in DGO mode. Yates declares the C300 Mark III the winner without question. Canon EOS C300 Mark II The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. It does this by reading out each pixel through two separate gains. The lens mount attaches with four 3mm hex screws. The US price for Cinema EOS C300 Mark III body is $10,999, now available for pre-order at B&H Photo Video/Adorama.The US price for CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens is $29,999, now available for pre-order at B&H Photo Video/Adorama. The camera features a new 4K Super 35mm DGO imaging system that’s capable of capturing HDR video. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy … Canon EOS C300 Mark III . Vincent Laforet was given access to a prerelease version of the EOS C300 to shoot the short film Möbius. They … If you really wanted that option you are better off with the C500 Mark II. A fully equipped C100 Mark II with the grip, batteries, and top handle weighs in at 3 lbs 2 oz. THE C100 MARK II IS NOTABLY LIGHTER. The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project. Its in-built advance focusing functions that assist professionals for manual focusing stems from the next evolutionary step in DAF engineering. As for recording, the camera can shoot UHD and DCI 4K at up to 120 fps. The 5D Mark III raw is impressive and compares closely to the C300, but has a few more tricks which elevate it. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. That’s nothing to sneeze at if you’re coming from a DSLR, but it pales in comparison to the C300, which comes in at 6 lbs fully rigged. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Super35 Dual Gain Output (DGO) Sensor; 4K 120p, 2K Crop 180p HDR Capture; Canon Log 2, 3, PQ & HLG Recording For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. There will be no 8K version of the camera like previously reported according to this source. The C300 Mark III features a modular design, allowing users to customize the camera to their shooting environment, thus catering to a large variety of production scenarios. C200 (which I own btw.) Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. 174mm vs 183mm; 2mm narrower? As part of today’s ‘Imaging Unleashed’ virtual press conference, Canon has announced the Canon C300 Mark III, its latest Super 35mm cinema camera with a new Dual Gain Output (DGO) sensor and a modular design based on the same frame as Canon’s C500 Mark II. Shortly after the publication of our Canon C500 Mark II lab test last week, we learned that we will gain early access to a pre-production Canon C300 Mark III in our headquarters in Vienna. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. The comparison above is shot at 1080p but with an anamorphic lens to correct the 3:2 aspect ratio, the 5D Mark III goes to 1280 lines from … The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. In 2K… Super 35mm Dual Gain Output (DGO) Sensor; 4K 120p, 2K Crop 180p HDR; Cinema RAW Light and XF-AVC H.264 Codec; EF Lens Mount, DIG!C DV7 Image Processor; Price: $10,999; Canon C70 Key Features. 12G SDI Support for 12G SDI allows the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. And DCI 4K at up to 16+ stops of dynamic range Digital cinema camera integrates a re-designed system... C500 Mark II has no raw ( even external ) and no 4k60 III to 4K. System captures high dynamic range x 18.6mm ( even external ) and no 4k60 with grip... 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